An Etiquette Guide To The End Times

etiquetteIn Maia Sepp’s novella An Etiquette Guide to the End Times, Olive writes a blog answering etiquette questions for well-mannered survivalists in the semi-collapsed society. Just because the earth grows warmer every year, beachfront property is now underwater property, and infrastructure has all but collapsed, there’s no reason we have to be impolite about it. Olive only mentions a few recent headlines, inspiring the reader to imagine other potentially awkward social situations in a world where hoarding solar panels is an etiquette breach.

Harsh times make for unusual allies, and Olive notes that before the collapse, she might not have had much to say to her neighbor, Camilla, who was a PR rep back when there was anything to publicize. I loved the worldbuilding here, the casual mentions of protein loaf, retrofitted electric cars, and unlicensed chickens.

Representatives of the Core — the remaining government faction — invite Olive into what’s left of the city to discuss turning her blog into a government mouthpiece. The Core still has coffeeshops and air conditioning, telephones and formalwear, unlike the homesteaders and survivalists now living in Olive’s former suburb. There’s plenty of temptation in the offer, but there’s also a warning in what might happen if Olive chooses to ignore the “request” of those in charge of enforcing the laws. (On a more personal note, themes of a writer considering trading in her personal blogging for a sponsored, if less creative, site, really struck a chord for me.)

…the novella carefully blends tiny, personal moments with larger social themes…

But that’s just background. The real story is about preparing a dinner, at which Olive will enlist the help of Camilla’s sailor friends in finding her missing grandfather, and as she collects ingredients, the novella carefully blends tiny, personal moments with larger social themes. Olive’s able to pick veggies in the back garden and use up precious stores from before the collapse. She has to trade for meat, and an unpleasant conversation with a predatory butcher is both a personal challenge as she prepares dinner, and a larger concern — without social rules, what will stop our baser instincts from taking over? And without these social norms, what’s to stop the sailors from accepting her food, and failing to respond with a favor?

My only problem with this novella is simply that it’s a novella. The half-collapsed society and cast of characters are just coming into focus when the story ends. I can only hope Maia Sepp writes a complete novel set in this world.

I received an eARC of this novel from the publisher, which has never stopped me from snarking about a bad book. All opinions are my own.

Related Books:

For great post-apocalypse fiction, I just read M. R. Carey’s The Girl With All The Gifts. Also One Second After, which I read only because my friend James recommended it,  and it’s absolutely ruined visiting Asheville for me, Mira Grant’s Feed which I read only because Alicia promised it was really more about journalism and blogging than zombies.

What Other Reviewers Are Saying:

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Meteolojinx Recanto

I wrote this a while ago, right after it happened, but I thought it was too negative, and didn’t post it. Recently, I got into a discussion about whether we’d recommend our rental company to friends, and I had to admit that no, whenever we have to deal with this company, it starts a serious talk about buying a house.  I’ve rented happily for more than ten years in different cities, and we’re now in a beautiful apartment, in a lovely building, where all the other residents own their apartment.

I was originally going to write about a nice day at work and a peaceful evening at home with Harold.  But that evening, after he’d shut off the Star Trek we were watching (see previous re: “at home with Harold”), we heard a strange noise… which turned out to be water dripping through the ceiling onto the washing machine. This is not a sound that is immediately identifiable, since washing machines are not typically outdoor furniture.

Harold went to alert our upstairs neighbour that it was raining in our apartment, and probably not benefiting her floors any, and she called the building emergency number, and went through a long phone tree where she pinky-swore that it was a real emergency, and we really, really did need an after-hours maintenance visit.  No luck. As we waited for them to call,  Harold, our neighbour and I all talked about how great it was that in two apartments full of books, no one’s books got wet. (Now that I have a Kindle, the physical books I own all have emotional significance for me, and it would have been really sad to lose any of them.)

Maintenance called the next day, saying that since we weren’t calling for a real emergency, they’d try to come back sometime soon, if they could get around to it. Look, I’m not a repair expert, but if water coming through the ceiling isn’t a maintenance emergency, I am pretty curious about what that emergency would be.

When the crew came, they discovered that we hadn’t actually heard the water coming through until it had filled the light fixture, and started to drip down. And I guess the light was turned on, although it wasn’t exactly emitting any light, just charging all the water in the light fixture!

I wasn’t actually watching when the crew poured out a ceiling light full of hot water, and I wasn’t the person who took the rusted lightbulb down. But I am pretty sure this isn’t a healthy lightbulb.

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They promised to be back right away to deal with the rusty wires hanging from the ceiling (also not an emergency), and they were super sorry about that potential for electrocution. I shrugged.

“Hey, Harold,” I said, after the crew had left, “Did I ever tell you about the time I had an extension cord running through my shower?

 

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Still Not Rome.

In which my love of the Rome series tricks me into reading another Colleen McCullough novel.

I have mixed feelings on Colleen McCullough’s work. On one hand, Caesar’s Women and the rest of her Rome series are epic and well researched, grand-scale and personal, and basically everything that a historical novel should be. On the other hand, The Independence of Miss Mary Bennett takes the prize for the worst Austenite fiction I’ve ever read, and I’ve read quite a few. I was excited to read and review Bittersweet because I was sure it would either be amazing or dreadful, to the extreme.

So I was surprised at how terribly slow the first two thirds of the book were. The story focuses on four sisters, two sets of twins with the same father and different mothers. After the mother of the older twins died, their rector father quickly remarried the housekeeper, who gave him another set of twin girls. There is a tantalizingly brief mention of Maude’s speedy engagement and premature babies, which I translated into shotgun wedding, but it wasn’t really addressed again. The two sets of twins are almost the same age, and the older ones are kept back a little bit and the younger ones sped up a little bit so they can all start school together. (Squishing the girls into not-quite-right because it’s convenient for those around them is kind of the theme of the book.)

The sisters become nursing students, and there is mildly interesting class tension among hospital staff, and thoughtful commentary connecting the nurses’ special role of half waitress, half doctor to larger themes of women’s lib in Australia. It’s all engaging, but it’s not exactly a sweeping epic. The hospital is built on wide level ground so they don’t have to have stairs. (This is mentioned by pretty much every character in the book, so I thought it was worth mentioning in the blog review.)

via Mixed Reactions to Bittersweet: More underwhelming than bittersweet in this slow-moving novel.

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Facepaint

I didn’t really start wearing makeup until I was almost thirty. Before that, I’d thought of cosmetics as something one learned to applied skillfully to hide one’s flaws, or  something one should choose carefully to match skin tone and eye color in order to look naturally attractive and/or good enough at faking it. That was really unappealing to me, so except for a few bouts with insecurity-induced camouflaging attempts. here and there in my twenties, I didn’t really wear any makeup.

It was a great delight when, as one of many transitions around the time I came  to New York and started working at Next Island, I started seeing makeup as decorating my face! So many lovely colors and so many pretty things to try!

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Success Marker

Cow_Clicker_coverOne of my current App Design students took Game Design with me last year, and today he asked if I would please tell him the story of Cow Clicker again.

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Apps That Need To Exist: Skipworthy

To improve the Facebook experience for the average user, this app will automatically hide everything shared from Buzzfeed or Upworthy from the user’s Facebook timeline.  Optional upgrades will allow users to block any posts with “…and you’ll never believe what happens next!” in the headline,  or block any numbered list posted with variations on “Number 5 is SO TRUE!!!”

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Hello Kitty Around The Office

I’m not saying you should never have me run a meeting, I’m just sharing a photo of an assignment from the meeting I ran today.

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Hachette v. Amazon

I became interested in Gil McNeil’s A Good Year For The Roses because it’s set in a small British village, and that’s all it took to interest me. Also gardening. But I bumped it to the top of my NetGalley queue (that is a bit like a Netflix queue, for those of us who read all day) when I read about how Amazon is punishing publisher Hachette for publishing a book criticizing Amazon.

Look, I usually love Amazon, and when Amazon started offering indie games, I wrote about how great this would be for indie devs and for gaming bloggers, because it enables developers to sell their games without being forced to work with a publisher. And it enables gaming bloggers to offer those indie games for sale as Amazon affiliates, helping reviewers make money, too. I read plenty of editorials about how disruptive this model is, about how sales and distribution have opened for indies, allowing a good product to get straight to interested customers, and about the irrelevance of publishers. I think I even wrote a couple of these…

But Amazon’s unexplained delays and unavailability for Hachette titles is some serious evil-empire activity. Sure, if you’re determined to read a Hachette book, there’s nothing stopping you from going to another bookstore and ordering it. But authors writing for an imprint or publisher on the Amazon naughty list are going to lose a lot of sales from Amazon recommendations, one-click Kindle readers, and Prime customers. Plus, book bloggers won’t be able to use Amazon affiliate links (Or sidebar widgets. Or any other the other ways bloggers can use Amazon to make their reviews profitable.), making a serious disincentive to review Hachette titles.  I’ve been writing on indie games and indie writers for several years now, but as I think about the affected authors, I find myself, bizarrely, sympathizing with the publisher. That’s a new one for me.

So that’s how I ended up reading and reviewing the Hachette novel, A Good Year For The Roses.

In the beginning of Gil McNeil’s novel A Good Year For The Roses, Molly inherits her Aunt Helena’s ancient bed-and-breakfast, and brings her three sons from London to a small village full of delightful characters.

See… I told you it was about a British village… it just took me a little while to get around to that part.

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The Silent Age

the_silent_age

The Silent Age is a point-and-click (I mean, point-and-tap) iOs adventure from House on Fire, a small game studio in Denmark. Joe is a janitor on an average day in 1972, cleaning up on in a high-security government lab when he’s summoned by the big boss, to be assigned more duties with no raise.  The setting is established immediately, with jumpsuited janitor Joe passing a photo of Nixon (Honest Richard! Joe says unironically), a massive American flag, a chainsmoking secretary, a high-security cardreader, and, is that the capital dome outside the window? Joe is extremely vague and unconcerned about any work that doesn’t involve pushing a broom, but it’s clear to players that all the locked laboratories, mysterious chemicals, and high-tech equipment are pretty shady.  What is our hapless hero in for?

While cleaning the labs, Joe follows a trail of blood to a mysterious time-traveler, who’s been injured on a mission to stop whatever actually goes on in that building. He gives Joe a solar-powered mini time-machine and an important mission to find his younger self. Joe realizes just how much the future lies in his hands the first time he transports into the future, and discovers a desolate, destroyed world.

I mean, yes, I wanted to find the mysterious time-traveler and I wanted to know why Joe’s picture was labelled a person of interest, but I also wanted to see what would happen if I asked Joe to stick this paperclip in the hornet’s nest.

To help Joe on his mission, players solve puzzles by exploring, pocketing everything that’s not nailed down, and using items creatively. I remember discovering that some of the “wrong” combination in point-and-click adventures like Monkey Island were funnier than the combinations that actually advanced the game. The Silent Age tells a darker story, but still has room for ridiculous flavor text. I mean, yes, I wanted to find the mysterious time-traveler and I wanted to know why Joe’s picture was labelled a person of interest, but I also wanted to see what would happen if I asked Joe to stick this paperclip in the hornet’s nest. So I did.

The flavortext is so good, I found myself screenshotting scene after scene, and actually giggling aloud over some of Joe’s remarks. But the mechanics are interesting too. Joe is able to pop between 1972, present day for our polyester-loving hero, and a desolate future with a mysterious device. Using the point-and-click system, Joe can change the past to change the future. Destroy a poison ivy seedling in 1972, and avoid a poison ivy outbreak in the future.

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Throughout the game, Joe shifts between campy, disco 1970s and desolate post-apocalyptic future, and both time periods work. When Joe time-travels, players can see the very same locations, once with  geometric wallpaper, seventies ‘staches and other retro style, and then destroyed and abandoned in the future. The Silent Age manages to be hilariously campy, and still full of dramatic tension.

The story ends on a bit of a cliffhanger, with Episode Two in the works, and I can’t wait to help Joe save the world.

This is the first of my gaming posts shared over at Game Industry News. Thanks to the GiN team for sharing my work!

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You Win or You Drive

My coworker SuperDan lent me his Game of Thrones audiobook to listen to on my long commute to the studio.  It’s just great, and has really helped me deal with the drive. My team are all massive fans of the show, and I read the first couple books in college, although I don’t remember too much of the story anymore. I know I read it in my dorm room in Cambridge, because as I listen to the book now, I’ll remember my reading chair by the window in my room in St. Catherine’s, or arch at the gate, or the wall of cubbies where porters sorted our mail by room, and the blue calligraphy addresses on letters from Eric, or just random other images from that dorm. Sometimes, too, I’ll remember event as they’re being read, and almost cry out to the characters not to trust that person!

It’s a lot better than my usual drive, which involves me crying out to other drivers to use a turn signal or hang up their phones.


Related:

In Yangzhou, I only wished winter was coming.
A spoiler-free discussion in Boston.

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